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Subject: False Participles
Question: Can anyone help me to understand the procedure by which English came to develop illegitimate ''noun-participles'' as adjectives? I have in mind such formulae as the onelegged man, the longwinded sentence, the bearded lady, the wooded hillside and the ragged rhyme. All these modifiers seem to be constructed on the model by which verbs generate participial adjectives (the celebrated actress, the whispered conversation, the reviled prime minister). But they are derived from nouns rather than verbs and don't therefore make logical sense as participles. Are they syntactical impostors or is there some rational justification for them? Thank you for any light you can cast.
From: David Dawson
Date: 15-Aug-2012
  1. Re: False Participles    Geoffrey Richard Sampson     (16-Aug-2012)
  2. Re: False Participles    Marilyn N Silva     (15-Aug-2012)

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