Editor for this issue: Karen Milligan <karen
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Dear List, I'm looking for articles which examine the imprint of linguistic rhythm on the instrumental music of a culture. I am familiar with Brian J. Wenk's 1987 paper, "Just in time: on speech rhythms in music", Linguistics 25:969-981. I would be grateful for any suggestions for further papers along these lines, especially empirical studies. Thanks, and Happy Thanksgiving, Ani Patel - Aniruddh D. Patel The Neurosciences Institute 10640 John Jay Hopkins Drive San Diego, CA 92121 Tel 858-626-2085 Fax 858-626-2099 Email apatelMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issuensi.edu Website http://www.nsi.edu/users/patel
Dear list-members, Being originally from Northern Germany and remembering being teased for it, I'd like to share any references on the following phenomenon. I am working on contracted prepositional pronouns, formed with "da(r)-" and prepositions "um," "ueber," "von," etc: darum (for that), darueber (over that), davon (of that), dafuer (for that), darunter (under that), darin/dadrin (in that), etc. When fronted, in standard German they are inseparable, while in certain dialects they are separable and the preposition is stranded, like in English 1. a. Ich weiss nichts davon. I know nothing that-of b. Davon weiss ich nichts t. (standard) c. Da weiss ich nichts von. (dialectal) 2. a. Davon kann nicht die Rede sein. b. Es kann nicht die Rede davon sein. c. Da kann nicht die Rede von sein. d. Da kann nicht von die Rede sein. (Especially (2d) seems to be acceptable only very locally.) Summary will be posted. Thanks, Christian F. Hempelmann Interdepartmental Program in Linguistics Purdue University Heavilon Hall West Lafayette, IN 47907 e-mail hempelmaMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issuepurdue.edu