Editor for this issue: Richard John Harvey <richard
linguistlist.org>
New Publication by Mouton de Gruyter!!! NEW SERIES: PHONOLOGY & PHONETICS Series Editor: Aditi Lahiri Phonology and Phonetics have had a tumultuous, if not always unequivocal relationship. It is now being invigorated from both sides, after mutual disinterest had prevailed for some time and disciplines which are natural partners were drifting apart. This series aims to stabilize and strengthen the relationship and, by facing the big challenges, to ensure that it will have a sound future. The series is a forum for the interaction of phonology and phonetics within linguistics. It welcomes joint phonological-phonetic ventures as well as initiatives from either discipline, as long as they are made with a view of the other. It is envisaged to publish one or two volumes of original work per year. Approaches to the study of sound suitable for this series may be theoretical or experimental; and if they have practical applications, so much the better. The perspectives afforded by language acquisition, psycholinguistics, neurolinguistics, historical linguistics, and typology and universals will be particularly valued. Themes too promising to be ignored, from whichever angle, are as varied as the phonology and phonetics of features, tone and intonation, sound and grammar, metrics and verse, sound change, or speech recognition by man and machine. Ilse Lehiste and Jaan Ross The Temporal Structure of Estonian Runic Songs 2001. 23 x 15,5 cm. ix, 205 pages. Cloth. DM 136,- / �S 993,- (RRP) / sFr 109,- / approx. US$ 68.00 >From 01/01/02 Euro68.00 ISBN 3-11-017032-9 (Phonology and Phonetics 1) The Kalevala, or runic, songs are based on a tradition of at least a few thousand years old. It was shared by Finns, Estonians and other speakers of smaller Baltic-Finnic languages inhabiting the eastern side of the Baltic Sea in North-Eastern Europe. This book offers a combined perspective of a musicologist and a linguist on the structure of runic songs. Archival recordings of the songs originating mostly from the first half of the 20th century were used as source material for this study. The results reveal a complex interaction between three different processes participating in singing: speech prosody, metre, and musical rhythm. CONTENTS: 1. Introduction 2. Estonian old folksongs: history, tradition, collections and availability 3. Estonian prosody 4. The metrical structure of Estonian folksongs 5. Estonian folksong as musical performance 6. Realization of the prosodic structure of Estonian in sung folksongs 7. Realization of prosodic structure in recitation and laments 8. Conclusions Appendix: Notations of Estonian folksongs and laments For more information please contact the publisher: Mouton de Gruyter Genthiner Str. 13 10785 Berlin, Germany Fax: +49 30 26005 222 e-mail: ordersMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issuedegruyter.de Please visit our website for other publications by Mouton de Gruyter http://www.degruyter.com
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Monday, July 23, 2001 |
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