Editor for this issue: Karen Milligan <karen
linguistlist.org>
There has been little research in the area of compounding (as a word-formation process) in Creole languages. In fact, most of the studies which exist focus on English (Selkirk, Matthews, etc.) I am currently undertaking a study of compound words in Jamaican Creole and I would like to know if anyone out there can lead me to useful sources on compounding in general and with specific reference to Creoles. I am also interested in 'calques', 'semantic transparency', and 'synthetic compounds'. Joseph T. Farquharson Junior CreolistMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issue
I hope that some of you could perhaps help me to solve the following problems. Much has been written about tones in African languages, but I cannot find certain information anywhere. 1. Is the origin of tones known? I guess it's no accident that most languages have only open syllables, but if finals determine the tone, how are they related to particular tones? (Like in Vietnamese supposedly lost stops result in a rising tone and a lost fricative in a falling tone.) 2. Why some languages have three levels (or more?) and some only two? Is e.g. Yoruba middle tone a development from a 2-tone system (so initially an allotone), or does it descend from another type of syllable than the other two? 3.In a three level system what are the features of the tones (here I mean marked features in binary opposition like +periferal -periferal etc.) I will appreciate you responses very much. Tomasz Wisniewski tomwisnMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issueyahoo.com