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I posted the following query (Linguist 14.687) on 9 March 2003: Can anyone suggest bibliography treating discourse-initial use of 'and', whether in poetry or in ordinary conversation? It appears to suggest a tie to something assumed to be knopwn by both speaker and hearer. Does this come under echoic utterances, or metarepresentation? Or...? First, my thanks to Kristina Kocheva, Toshiko Hamaguchi, J L Speranza, John Constable, Ronnie Sim, M. J. Murphy, Mirjana Miskovic, and for their replies. Second, the following references were suggested: Blakemore, Diane (1987) Semantic constraints on relevance. Oxford: Blackwell. Blakemore, Diane and Robyn Carston (1999) The pragmatics of and-conjunctions: The non-narrative cases. UCL working papers in linguistics 11. [Internet edition]. Fraser, Bruce 1996: "Pragmatic markers". Pragmatics 6:2. 167--190. Heritage, John / Marja-Leena Sorjonen 1994: "Constructing and maintaining activities across sequences: _And_-prefacing as a feature of question design". Language in society 23. 1--29. Schiffrin, Deborah 1987: Discourse markers. Cambridge U P. (mentioned by several respondents) Schiffrin, Deborah (2001) Discourse markers: Language, meaning and context. In D. Schiffrin, H. Hamilton and D. Tannen (eds.), Handbook of discourse analysis. Malden, Mass: Blackwell, 54-75. Sk�ries, Ulrike 1998: Bedeutung und funktion von _and_ als dialogische Instruktion, Frankfurt/Main u.a. Third, the comments other than bibliographical ones: 1. The original query arose from an English lit. specialist encountering numerous works, especially poems, in English beginning with 'and' (and 'et', 'und', etc. in other languages), using definitions 11-12 for 'and' in the OED, and hypothesizing that the 'and' functions to access some assumption(s) common to writer and audience, in light of which whatever follows the 'and' is hard to believe--"amazing but true", so to speak. 2. One respondent seriously challenges the use of anything metrical as valid data for pragmatic or other studies, since we never know when a word may have been included simply for the sake of the meter. He and the original writer are now in correspondence--the latter arguing that initial 'and' is sometimes, but not always, simply an unskilled "filler". 3. Other respondents gave a variety of additional examples: a. "So is the AV/KJV of 1611 following an acceptable English usage when it meticulously 'translates' Herew clause-initial vav as 'And...' ??" b. "Initial 'Ands' are very common in older English texts like Malory's 'Morte D'arthur', where it often functions in the same manner as "Then", at least sometimes. In modern literature, especially in "fantasy" and such genres, it is often used as a means of conveying a "ye olde" sound to the writing." E.g., "The Night Land", by William Hope Hodgeson. c. Charles Wesley's well-known hymn that begins "And can it be that I should gain an interest in the saviour's blood? Died He for me, who caused His pain...?" Many of the examples of discourse-initial 'and' introduce questions--GLH] d. "Well, I hope it's something pragmatic, since "&p" is not even well-formed in logic, is it (So much for Strawson's _Introduction to Logical Theory_ and Grice's 'Logic and Conversation'). There is this famous song (refrain), "And when I told them How beautiful you were -- they didn't believe me..." "-- Vanessa Redgrave sings it in film _Agatha_ --. Of course, there is a _verse_ behind, which due to my musicological research I am hereby able to provide for the sake of relevance, and which goes: "Got the cutest little way Like to watch you all the day. And it certainly seems fine Just to think that you'll be mine. When I see your pretty smile Makes the living worth the while. So I've got to run around Telling people what I've found." [singer bursts into refrain] "AND when I told them..." "-- learn more from this famous little song at http://www.musicals101.com/1910bway.htm Best Regards, Kristina KotchevaMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issue