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The Arts section of the May 3, 2003 online edition of the New York Times has the following article: Writing as a Block for Asians By Emily Eakin The first two paragraphs: Western theories about Chinese writing have often been tainted by ignorance and prejudice, oscillating between wide-eyed veneration and smug disdain. Though he could not read Chinese, Leibniz, for example, held it in high repute, dreaming of a universal script �X intelligible to speakers of all languages �X modeled on Chinese characters. By contrast, Hegel dismissed Chinese "hieroglyphics" as primitive. More recently, Ezra Pound, a famous admirer and translator of Chinese poetry, helped spread the still-popular misconception that Chinese characters are simply "ideograms": visual symbols of things and ideas. The URL: http://www.nytimes.com/2003/05/03/arts/03ASIA.html?tntemail0 Karen Steffen Chung http://ccms.ntu.edu.tw/~karchung/ http://www.topica.com/lists/phonetics/Mail to author|Respond to list|Read more issues|LINGUIST home page|Top of issue