LINGUIST List 19.2649
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Fri Aug 29 2008
Review: Sociolinguistics: MacLaury, Paramei & Dedrick (2007)
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Directory
1. Rick
Nouwen,
Anthropology of Color
Message 1: Anthropology of Color
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Date: 29-Aug-2008
From: Rick Nouwen <rick.nouwen let.uu.nl>
Subject: Anthropology of Color
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Announced at http://linguistlist.org/issues/18/18-3740.html
EDITORS: MacLaury, Robert; Paramei, Galina; Dedrick, Don TITLE: Anthropology of Color SUBTITLE: Interdisciplinary multilevel modeling PUBLISHER: John Benjamins Publishing Company YEAR: 2007 Rick Nouwen, Utrecht Institute for Linguistics, Utrecht University SUMMARY Color naming and categorization is a hugely cross-disciplinary field of inquiry, combining anthropological, linguistic and psychological research efforts. This is a collected volume of papers on color naming research that seeks to do justice to the interdisciplinary character of the color naming discussion. At the same time, it tries to bring together contributions from various corners of the world. In particular, one of the ideas behind the volume was to bridge the gap between Western European and North American research traditions and the large body of Eastern European and Russian literature on color categorization. The idea for the book came from Robert E. MacLaury, first editor for the volume and a well-respected authority on all parts of this complex field. MacLaury died in 2004, well before the volume was finished. The book is dedicated to his memory. Mention color naming, and Brent Berlin and Paul Kay's seminal work _Basic color terms: their universality and evolution_ (1969) immediately springs to mind. Berlin and Kay argued, against linguistic relativism, that the naming of color is not arbitrary but rather subject to universal constraints that find their origin in perception. They presented a model representing a set of fixed evolutionary stages for which basic colors are encoded in a language. In many ways, Berlin and Kay's book constitutes a landmark study and a lot of the subsequent work on color categorization can be seen as building on or reacting to its proposed model. To a certain extent, this volume pays similar respect. In fact, of the twenty-six contributions in the book, only four do not refer to Berlin and Kay's book. At the same time, however, it goes beyond the tradition set by Berlin and Kay. Many contributions address the issues raised by them only indirectly or marginally. The collection consists of three parts: one on color perception, one on color cognition and one on color semiosis. Part I: Perception Part I starts off with a survey article on hue categorization and color naming by Marc Bornstein. He addresses a reconciliation of an apparent universal categorization of hues with an overwhelming diversity in color naming, emphasizing the role of physiological processes. In their paper ''Individual and population differences in focal colors'', Michael Webster and Paul Kay turn to the observation that despite the universal structural consistency of how languages categorize colors, there seems to be quite a lot of variation in color naming on an individual basis within a single language. Webster and Kay argue that such inter-individual variability cannot be taken as evidence for linguistic relativity, arguing in contrast that the variability itself might have aspects of universality to it. The differences between individuals in a population are suggested to be the result of rather weak constraints on color categories, which opens up the possibility of contextual influences on color naming. Olga Safuanova and Nina Korzh turn to non-basic, compound and modified Russian color terms and investigate the area of the color space such terms are mapped to. Russian is interesting since it potentially constitutes an exception to Berlin and Kay's basic color theory by having two basic terms for `blue'. One of these blues, 'goluboj', although treated by native speakers of Russian as basic, has certain characteristics of a non-basic term. In her paper ''Russian 'blues''', Galina Paramei addresses the issue whether 'goluboj' is basic or not and concludes that there is more and more evidence for two basic terms for blue. Paramei comes to this conclusion on the basis of developmental data and the results of several behavioural tasks. Roger Schoentag and Barbara Schaefer-Priess survey the work of the German ophthalmologist Hugo Magnus, who, in the second part of the 19th century, pioneered the study of the relation between color perception and color naming. Schoentag and Schaefer-Priess argue that the work of Magnus bears an interesting similarity to Berlin and Kay's evolutionary approach. Part II: Cognition Part II starts with a paper by the late Robert MacLaury on a color category that exists in over sixty percent of all languages and involves speakers combining desaturation and complexity in the color space. The paper presents a historic overview of research into desaturated-complex color and presents three levels of modeling it: a sensorial, perception and cognition model. The latter is couched in MacLaury's Vantage Theory, which relates color categorization not just to perception, but moreover to cognitive viewpoints (or vantages). Seija Kerttula investigates the diachronic development of English color terms showing support for universal development as well as suggestions that this development is subject to cultural intervention (as e.g. the influence of (the) French after the Norman Conquest of 1066). The data discussed by Kerttula are presented in the light of an idea of ''relative basicness'', where how basic a term is is mapped to a degree based on a number of parameters (such as frequency and derivational productivity). According to Kerttula, such relative measures help to isolate universal trends from historical influences. Kerttula moreover discusses Finnish (which differs from English in not having had a French influence.) Carole Biggam discusses various senses of brightness in the color naming literature and makes a plea for less ambiguity, based on writings about the notion of brightness in Old English color. The remainder of Part II contains an amazing diversity of studies, focusing on different language classes from different eras. A common theme in many of these papers is the presentation of an extremely detailed description of color categorization in a (class of) language(s), which is then related to more theoretical literature (in particular the evolutionary picture as presented by Berlin and Kay). Vilja Oja's paper gives a detailed discussion of color naming in Estonian and its cognate languages. In ''color terms in ancient Egyptian and Coptic'', Wolfgang Schenkel presents an overview of his work on Egyptian and Coptic. In ''Basic color term evolution in light of ancient evidence from the near east'', David Warburton turns to ancient languages and relates the (potentially conflicting) data they yield to Berlin and Kay's universalist evolutionary theory. Maria Bulakh turns to Old Ethiopic and surveys the transition of its basic color terms from the color term system of Proto-Semitic. Alexander Borg presents a (partly historic) overview of color categorization in colloquial Arabic. In James Stanlaw's paper we find another example of a comparison of an extremely fine-grained data set with Berlin and Kay's model. Stanlaw's ''Japanese color terms, from 400CE to the present'' presents evidence from early Japanese that is problematic to this model. Rather than denouncing Berlin and Kay's theory, Stanlaw suggests that such data indicate the complexity of color and its cognitive and socio-cultural interactions. The penultimate article in part II is by Albert Heinrich. This is one of the more obscure papers in the volume. It was written in 1974, but never properly published (nor, apparently, presented). This rather short work presents a description of color terms in a form of Alemannisch spoken in Colonia Tovar, an ethnically distinct community in Venezuela. Finally, Theraphan L-Thongkum focuses on the Mien language (as spoken in northern Thailand). This is yet another case where the data found are mostly, yet not fully, compatible with the evolutionary stages as presented in Berlin and Kay's influential model. Part III: Semiosis Gunnar Bergh turns to the (recent) historical development of (Swedish) car color names, from short terms like plain ''blue'' to longer and more complex expressions like ''Parisian blue metallic'', and inquires into the reasons behind this development. The somewhat shallow conclusion from a corpus survey of existing car color names is that the longer expressions serve both a descriptive function and a function of strengthening positive associations that come with a color (''jazz blue'', ''magic grey''). Another corpus study is presented by Anders Steinvall, who investigated occurrence patterns of color terms and emotion expressions. One finding is that conceptualization is to a considerable extent of an embodied nature, as is for instance illustrated by the use of facial color for expressing emotion. Ekaterina Rakhilina turns to Russian color names and investigates them in terms of their nontrivial ''combinability'' with nouns. Alena Anishchanka analyzes the use of color words in descriptions of paintings and observes a frequent nominalization of (both basic and non-basic) color terms. The descriptions of paintings, in other words, contain references to colors as if they were entities. In Brent Galloway's paper, the color terms of Halkomelen (a central Salish language) are studied in terms of metaphorical cognitive models. Another paper rooted in cognitive linguistics is by Lyudmila Popovic, and addresses the use of color terms in Slavic folklore. Dessislava Stoeva-Holm turns to color terms in (German) fashion magazines and observes that basic color terms have a high frequency, because of their versatility of use. Irenea Vankova turns to how color is used in the Czech conceptualization, with special focus on the coloring of the human face. Liudmila Samarina investigates the role of age and gender in color categorization, on the basis of data from Caucasus languages. The main result is that the elderly and the females have a tendency to use descriptive color terms (such as ''the color of a pigeon's neck''). The final paper of the volume is by Barbara Saunders. This is a deep reflection on color science in general and color anthropology in particular, and a critique on the program of color categorization as it has been since the invention of evolutionary model of Berlin and Kay. EVALUATION This is a very rich book, grouping together fields such as anthropology, cognitive psychology, psychonomy, sociolinguistics, psycholinguistics, cognitive linguistics, corpus linguistics and history and philosophy of science. As such, it gives an insight in an incredibly complex field. I wonder, however, whether the book is in some sense not just too excessively multi-disciplinary. Although there are many first rate articles in this book, I felt that as a collected volume, the book lacked coherence. The main problem is that there is simply no common research question. The volume presents an excellent overview of the broadness and complexity of the field, but at times I wished for a more focused and inter-connected collection of papers. Related to this is the fact that I failed to see the philosophy behind the book's three parts. Especially part 2, ''color cognition'', fails to coherently emphasize cognitive aspects of color categorization. This is mainly due to the large number of papers in this part of the book offering descriptive studies of an equally large variety of languages. Sure, these papers have a theoretical side to them as well, and links to cognition are made. However, the main emphasis hardly seems to be color cognition. The idea behind part 3 containing lots of papers of the ''use'' of color terms is somewhat clearer. Still, here there is an enormous divide between, on the one hand, the cognitive linguistic studies of, say, Brent Galloway, Lyudmila Popovic and Irena Vankova, and on the other the philosophy of anthropology of Barbara Saunders. Perhaps, critique along these lines simply ignores the main goal of this volume, namely to collect work from the full diversity of viewpoints on color anthropology. For those linguists who are familiar with little more than Berlin and Kay's pioneering work, it will be difficult to cope with the enormous diversity of topics, but at the same time this book will be a treasure of alternative approaches, additional data and competing models. My guess is that for the average linguist interested in categorization (and not particularly in color) this work is a great asset and that s/he will easily forgive the lack of structure. Maybe such linguists should treat this book as a collection of volumes. For instance, the language diversity papers in part 2 form a coherent and interesting set of studies. Similarly, the cognitive (and corpus) linguistic studies in part 3 share a single focus. On a completely different note, one critical remark on the book's layout is in order. There is a total lack of section numbering in this book: chapters, sections, subsections are all merely accompanied with a title. This makes it sometimes difficult to get familiar with the structure of an article, especially since the only difference between sections and subsections is a hard to spot difference in weight of the font. To sum up, this volume is an impressively diverse collection and a testimony of what (forgive the pun) a colorful field color categorization is. REFERENCES: Berlin, Brent and Paul Kay. (1969) _Basic color terms: their universality and evolution_. Berkeley: University of California Press. ABOUT THE AUTHOR: Rick Nouwen is a post-doctoral researcher at the Utrecht Institute for Linguistics OTS.
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