LINGUIST List 19.3912
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Fri Dec 19 2008
Diss: Phonetics/Phonology: DiCanio: 'The Phonetics and Phonology of...'
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Directory
1. Christian
DiCanio,
The Phonetics and Phonology of San Martín Itunyoso Trique
Message 1: The Phonetics and Phonology of San Martín Itunyoso Trique
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Date: 18-Dec-2008
From: Christian DiCanio <dicanio berkeley.edu>
Subject: The Phonetics and Phonology of San Martín Itunyoso Trique
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Institution: University of California, Berkeley Program: Phonology Lab Dissertation Status: Completed Degree Date: 2008 Author: Christian Thomas DiCanio Dissertation Title: The Phonetics and Phonology of San Martín Itunyoso Trique Dissertation URL: http://www.linguistics.berkeley.edu/~dicanio/DiCanio_dissertation_papersaver.pdf Linguistic Field(s): Phonetics Phonology Subject Language(s): Triqui, San Martín Itunyoso (trq) Dissertation Director(s): Larry M. Hyman Ian Maddieson Keith Johnson Dissertation Abstract: This dissertation investigates the phonology and phonetics of San Martín Itunyoso Trique, an Otomanguean language spoken in Mexico. Along with describing the language's phonological system, I examine two distinct aspects of the language's phonetics: the fortis-lenis consonant contrast and the interaction of laryngeals with tone. The investigation of the phonological system focuses on the structure of the morphological word, which is characterized by final syllable prominence. I show that prominence is instantiated by increased duration, the final syllable's ability to license all phonological contrasts, and its ability to license certain contrasts on preceding syllables. I analyze the fortis-lenis contrast in Trique, observing its primary correlates to be durational with an additional glottal spreading gesture in fortis obstruents. Articulatory strength has been both encoded in phonological theory as a distinctive feature, e.g. [TENSE] (Jansen, 2004), and as a constraint determining target attainment in consonant gestures, e.g. LAZY (Kirchner, 2000). Contra Jansen (2004), I argue that the contrast in Trique does not involve differences in effort. Contra Kirchner (2000), I argue that the observed patterns of lenition are best explained by the contrast's phonetic correlates, not by abstract constraints on target attainment. With respect to tone and laryngeals, I observe that post-vocalic /h/ is often realized as a large magnitude increase in vocalic breathiness that is gradually phased across the rime duration. Breathy phonation does not perturb pitch on lower tones, but it does on higher tones. Laryngeal consonants and non-modal phonation are known to induce vocalic pitch perturbations. This may both cause tonogenesis in a language's diachronic phonology and condition certain distributional patterns of tones and laryngeals in a synchronic phonology. Since pitch perturbations cause listeners to misperceive tone on vowels, it has been hypothesized that speakers abruptly phase laryngeals and tones to avoid listener misperception (Silverman, 1997b). My findings argue against this abrupt phasing view of intergestural prosodic timing but are predicted in a body-cover model of F0 control (Titze, 1994).
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