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Philip Bralich recently asked about tree-drawing software. I have recently started using CorelDraw, a quite sophisticated graphics generating program, on a DOS machine with very pleasing results. I use the SPRINT text editing system (a descendant of FinalWord, published by Borland), and wanted a graphics program which met the following criteria: 1) It had to produce good looking trees which could be printed inside SPRINT text files, ideally sized to fit whatever amount of space was available on the page (to avoid large blank spaces between the end of text preceding the tree and the tree itself); 2) The trees had to be printed in such a way as to make it possible to print the lines in a variety of ways (dotted, thick or thin, etc.); 3) It had to be possible to draw additional characteristics like links (directed arrows) between nodes, boxes around portions of the tree, subscripts and superscripts, and the other diacritics used in syntactic trees; 4) the program had to be easy to use, and had to run on a 386-sx or similar computer, and print to a laser printer. CorelDraw meets all these criteria, and to the best of my knowledge is the only commercial program to do so. SPRINT has a graphics function which inserts a command to print an Encapsulated PostScript (.EPS) file anywhere in the text (wherever the command is positioned). CORELDRAW generates such files, and the tree can be sized to any height and width, either from with CorelDraw or SPRINT. Moving the tree around is simply a matter of repositioning the command. One can build up a library of standard trees and edit them to suit the purposes of each specific tree needed. CD can also incorporate and edit ASCII text, useful for incorporating complex examples and building a tree over them. CorelDraw by itself can print to any type of printer (including dot matrix), but is not very fast on a laser printer unless that printer is a Postscript printer (I use an insert cartridge which converts the LaserjetII to Postscript); incorporating trees into text requires Postscript. Postscript has the tremendous advantage of scaling fonts, which is useful for all text editing. CD is a very powerful program, and is about as easy to use as any of the regular drawing programs on the market (e.g. the kind that usually come with a mouse); it has a deceptively simple interface. Graphics programs in general require a fair amount of computing speed -- I do not recommend using CD on a 286 or lower machine. CD requires Windows 3.0, which also benefits from a reasonably fast computer (and which has a variety of quirks that have to be gotten used to). One bug: The second line of any Postscript graphics file contains four numbers which define the bounding box (what this is exactly I don't know). CD produces these numbers with decimal expansions (e.g. 45.78 546.91 56.23 765.43). SPRINT (and perhaps other word processors) wants rounded-off numbers, requiring one to pull the postscript file up into a word processor, round off the numbers, and rewrite the file. This is a pain in the neck, and the files can get VERY large (90,000 bytes for six lines of text, each on a different typeface), which takes time to read and write back to disk. I imagine EDLIN could do the job faster, but I don't know. A couple of weeks experience with CD makes typing in nodes (hoping, with proportionally spaced fonts, that they will end up somewhere near where you want them) and drawing in lines by hand seem as clunky as typing on a typewriter. It is (I assume) still not as easy as using a McIntosh, but there you go.~ZMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issue
A number of people have responded with evidence of words for 'father' beginning with 'm' and some words for 'mother' beginning with 'd'. I appreciate these examples very much, and by all means, please keep it up! It is already apparent that the claim that I learned in grad school that Georgian was the ONLY language to do this sort of thing is just an old linguist's tale. I will wait for more citations before posting the results. Again, if anybody knows anything about the etymologies of any of these forms, please let me know.Mail to author|Respond to list|Read more issues|LINGUIST home page|Top of issue
Response to Jane Chandler: Petitto, Laura and Paula Marentette. 1991. Babbling in the manual mode: evidence for the ontogeny of lnguage. Sceince. Vol 251. pp 1493-96 V FromkinMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issue