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Is there anyone out there doing work on (verbal, metaphor) descriptions/phrases involving synaestetic transference(s) -- [an example of such would be, say, a line in a poem in which piano music is not describe in sonic terms, but as, say, blue, or warm and fuzzy, or lime-flavored; Nabokov was a synaesthete and gives such examples in his autobiography and works]? I am trying to collect examples towards a couple of papers on this and related topics. Verbal or textual; any language (it would be nice, though, if you provided a translation); any time period. Thanks to all for help or/and insightful comments. P.S. -- I AM also interested in actual neurological synaesthesia, and would appreciate info on it, but my focus is more towards the beforementioned realms. Sean A. Day Purdue UniversityMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issue
The discussion on diachronic lengthening brings another related question to mind. The drift of the Indo-european languages has been toward the loss of inflectional endings with the result that word order becomes crucial (as well as prepositions) in determining case. Are there languages thathave developed inflectional systems where there once were none? David EddingtonMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issue
I'm a graduate student at Northwestern, and I'm interested in looking at WH-questions in non-standard Enlish dialects, especially in Black English. I've read some of Labov's work from the 60's and early 70's, but I haven't been able to find much recent work on this topic. I would appreciate any references. I would also like to locate a body of data (tapes, transcripts, etc.) from a single consistent dialect which I could analyze for this purpose. Of course, I'm willing to cover the costs involved in copying and mailing the data. You can e-mail me at: vicmMail to author|Respond to list|Read more issues|LINGUIST home page|Top of issuecasbah.acns.nwu.edu