Featured Linguist!

Jost Gippert: Our Featured Linguist!

"Buenos dias", "buenas noches" -- this was the first words in a foreign language I heard in my life, as a three-year old boy growing up in developing post-war Western Germany, where the first gastarbeiters had arrived from Spain. Fascinated by the strange sounds, I tried to get to know some more languages, the only opportunity being TV courses of English and French -- there was no foreign language education for pre-teen school children in Germany yet in those days. Read more

Donate Now | Visit the Fund Drive Homepage

Amount Raised:


Still Needed:


Can anyone overtake Syntax in the Subfield Challenge ?

Grad School Challenge Leader: University of Washington

Publishing Partner: Cambridge University Press CUP Extra Publisher Login
amazon logo
More Info

New from Oxford University Press!


What is English? And Why Should We Care?

By: Tim William Machan

To find some answers Tim Machan explores the language's present and past, and looks ahead to its futures among the one and a half billion people who speak it. His search is fascinating and important, for definitions of English have influenced education and law in many countries and helped shape the identities of those who live in them.

New from Cambridge University Press!


Medical Writing in Early Modern English

Edited by Irma Taavitsainen and Paivi Pahta

This volume provides a new perspective on the evolution of the special language of medicine, based on the electronic corpus of Early Modern English Medical Texts, containing over two million words of medical writing from 1500 to 1700.

Book Information

Sun Image

Title: The Power of Performance
Subtitle: Linking Past and Present in Hananwa and Lobedu Oral Literature
Written By: Annekie Joubert
URL: http://www.degruyter.de/rs/bookSingle.cfm?id=IS-3110179989-1&l=E
Series Title: Trends in Linguistics. Studies and Monographs 160

In "The Power of Performance," Annekie Joubert uncompromisingly challenges the textmaker's biggest problem, namely to understand the limitation of print as a receptor medium for performance. She re-examines the problems facing the textmaker in transforming a performance event (oral-physical sign system) to a transcribed text (visual-written sign system) without losing visual and auditive aspects of performance events. The author has practiced this principle by using a multimedia approach in the transcription and interpretation of oral art. With this approach she has affirmed the fact that multimedia recordings of performance events become irreplaceable instruments in the documentation and preservation of oral art.

In her analysis, the author uses a collection of invaluable data pertaining to Hananwa and Lobedu oral art, history, and culture that has never been filmed, recorded, or published before. The display of performance events gives the reader/listener a profound experience of the rich and resilient forms of oral art which, deploy not only the art of verbal utterance, but also mime, music, dance, dramatic enactment, drumming, display of costume, special effects, and ambience. Both groups are quite unique in particular respects. The Hananwa with regard to the brutal war of 1894 in their mountain abode. The bravery and pragmatic leadership of their chief
Kgalushi Leboho, made the forces of the Zuid-Afrikaansche Republiek regard him as the most fearsome and dangerous chief of his time in South Africa.
On the other hand the Lobedu, represents the greatest female authority in
South Africa with regard to their famous female ruler "Modjadji" the rain

In "The Power of Performance," the author has combined her literary, linguistic, cultural, and historical insight to link performers in context, with their past and present through the power of performance. The study reveals a long overdue "insider" view on the oral art of these two communities in its totality. It gives for the first time the opportunity to the performers of oral art to share their thoughts, and speak for themselves, and in this way salvage, document, audit, and promote their own heritage and oral history. The author engages with her display, discussion, and interpretation of performance-directed texts into a total process of transmitting life in a given culture: its pride and fear, myths and rites, creed and guidance, and its honour and admiration.

Date of Publication: 10/2004

Annekie Joubert teaches and researches at the Department of Asian and
African Studies of the Humboldt-University, Berlin, Germany, and is
Visiting Professor for Southern African Studies at the School of English of the Adam Mickiewicz University in Poznan, Poland.


SFG Servicecenter-Fachverlage
Postfach 4343
72774 Reutlingen, Germany
Fax: +49 (0)7071 - 93 53 - 33
E-mail: deGruyter@s-f-g.com

For USA, Canada, Mexico:

Walter de Gruyter, Inc.
PO Box 960
Herndon, VA 20172-0960
Tel.: +1 (703) 661 1589
Tel. Toll-free +1 (800) 208 8144
Fax: +1 (703) 661 1501 e-mail: degruytermail@presswarehouse.com

Publication Year: 2004
Publisher: De Gruyter Mouton
Review: Not available for review. If you would like to review a book on The LINGUIST List, please login to view the AFR list.
BibTex: View BibTex record
Linguistic Field(s): Discourse Analysis
Anthropological Linguistics
Subject Language(s): Sepedi
Issue: All announcements sent out by The LINGUIST List are emailed to our subscribers and archived with the Library of Congress.
Click here to see the original emailed issue.

Format: Hardback
ISBN: 3110179989
ISBN-13: N/A
Pages: xiv, 499
Prices: Europe EURO 118.00