[History - Art - Nation. Discursive Construction of 'German' History of Arts]

Working from a discourse analysis perspective, Müller examines how a national art history was constituted through its linguistic construction and transmission. The study demonstrates how German art history was 'manufactured' through language, particularly in the 19th and 20th centuries. The study operates at the interface between text linguistics, the history of concepts and the history of words and makes an important contribution to the history of national consciousness.

Keywords Art Historiography; Art History; National Consciousness

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