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It's Been Said Before

By Orin Hargraves

It's Been Said Before "examines why certain phrases become clichés and why they should be avoided -- or why they still have life left in them."

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Sounds Fascinating

By J. C. Wells

How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What's odd about the word epergne? As a finale, the author writes a letter to his 16-year-old self.

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Title: The Discourse of Italian Cinema and Beyond
Subtitle: Let Cinema Speak
Written By: Roberta Piazza
Series Title: Advances in Stylistics

Roberta Piazza’s book is a linguistic investigation of the dialogue of Italian cinema covering a selection of films from the 1950s to the present day. It looks at how speech is dealt with in studies of the cinema and tackles the lack of engagement with dialogue in film studies. It explores the representation of discourse in cinema -- the way particular manifestations of verbal interaction are reproduced in film. Whereas ‘representation’ generally refers to the language used in texts to assign meaning to a group and its social practices, here discourse representation more directly refers to the relationship between real-life and cinematic discourse. Piazza analyses how fictional dialogue reinterprets authentic interaction in order to construe particular meanings. Beginning by exploring the relationship between discourse and genre, the second half of the book takes a topic-based approach and reflects on the themes of narrative and identity. The analysis carried out takes on board the multi-semiotic and multimodal components of film discourse. The book uses also uses concepts and methodologies from pragmatics, conversation analysis and discourse analysis. Contents:1. Background and Introduction \\ 2. The verbal-visual interrelation in cinema \\ 3. The focus on the representation of conflict in film \\ 4. Confrontational discourse in comedy and the disengagement of dramatic talk \\ 5. Spaghetti and American westerns: textual conflict marking the clash between opposing masculinities \\ 6. The struggle for narrative autonomy in Antonioni's When Love Fails \\ 7. The discourse of identity and confrontation in Mohsen Melliti's Me, the Other \\ 8. Conclusions \\ 9. References and filmography \\ Index

Publication Year: 2012
Publisher: Bloomsbury Publishing (formerly The Continuum International Publishing Group)
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Linguistic Field(s): Discourse Analysis
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Format: Paperback
ISBN: 1441178872
ISBN-13: 9781441178879
Pages: 272
Prices: U.K. £ 27.99