A vivid commentary on Jewish survival and Jewish speech communities that will be enjoyed by the general reader, and is essential reading for students and researchers interested in the study of Middle Eastern languages, Jewish studies, and sociolinguistics.
The monograph argues for a return to a more fine-grained repertoire of tropes than the limiting analyses focused on metaphor or on the metaphor-metonymy duet. A list of ten master tropes is proposed, not only as candidates for tropological universals but also important text-forming strategies and a reflection of artistic imagination. The author presents a three-layered model of their organization into micro-, macro- and mega-/metatropes that partake in the construal of tropological space and figurative worlds. The book brings together Anglo-American and French-language philosophy of rhetoric, cognitive studies, and a tradition of Russian formalistic-semiotic research. It straddles the boundary between linguistic and literary stylistics as well as between post-structural and cognitive poetics, pointing also to an interdisciplinary nature of tropes.