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Style, Mediation, and Change

Edited by Janus Mortensen, Nikolas Coupland, and Jacob Thogersen

Style, Mediation, and Change "Offers a coherent view of style as a unifying concept for the sociolinguistics of talking media."


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Intonation and Prosodic Structure

By Caroline Féry

Intonation and Prosodic Structure "provides a state-of-the-art survey of intonation and prosodic structure."


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Academic Paper


Title: The calling contour in Hungarian and English
Author: László Varga
Institution: Eötvös Loránd University
Linguistic Field: Phonology
Subject Language: Hungarian
English
Abstract: This article examines the calling contour (CC) in Hungarian and systematically compares its formal properties with those of its English counterpart. After a critical survey of the literature on the English CC, it carries out a phonological analysis of the Hungarian CC, offering a plausible representation based on that analysis. This contains a H pitch accent (H*) and a downstepped H phrase tone (!H-), corresponding to the first and second terrace of the CC respectively. Other apparent possibilities, viz. that the second H tone is a trailing tone or a boundary tone, are rejected. When the Hungarian CC is utterance-final, it coincides with the final portion of an intonational phrase and needs a boundary tone. It is argued that this boundary tone is neither H% nor L but 0% (H* !H-0%). Hungarian utterances can also contain utterance-internal CCs. These can be analysed as being intermediate phrases, lacking a final boundary tone.

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This article appears IN Phonology Vol. 25, Issue 3.

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