Publishing Partner: Cambridge University Press CUP Extra Publisher Login
amazon logo
More Info


New from Oxford University Press!

ad

Oxford Handbook of Corpus Phonology

Edited by Jacques Durand, Ulrike Gut, and Gjert Kristoffersen

Offers the first detailed examination of corpus phonology and serves as a practical guide for researchers interested in compiling or using phonological corpora


New from Cambridge University Press!

ad

The Languages of the Jews: A Sociolinguistic History

By Bernard Spolsky

A vivid commentary on Jewish survival and Jewish speech communities that will be enjoyed by the general reader, and is essential reading for students and researchers interested in the study of Middle Eastern languages, Jewish studies, and sociolinguistics.


New from Brill!

ad

Indo-European Linguistics

New Open Access journal on Indo-European Linguistics is now available!


Academic Paper


Title: Asymmetries in the intonation system of the tonal dialect of Maastricht Limburgish
Author: Carlos Gussenhoven
Email: click here to access email
Homepage: http://www.ru.nl/taalwetenschap/medewerkerspagina's/carlos-gussenhoven/
Institution: Radboud Universiteit Nijmegen
Linguistic Field: Phonology
Subject Language: Limburgish
Abstract: The lexical tone and intonation contrasts in the Limburgish dialect of Maastricht are remarkable in a number of ways. While a falling pitch contour on an IP-medial syllable signals a non-declarative intonation, on an IP-final syllable it signals a declarative intonation. In addition, although there is a binary tone contrast (Accent 1 vs. Accent 2) and four nuclear intonation contours, only three intonation contours exist for nuclear syllables with Accent 2, while in IP-final position only two intonation contours exist for nuclear syllables with Accent 1, so that the full set of four intonation contours is only observable in IP-medial nuclear syllables with Accent 1. The context-dependent function of the pitch fall and the asymmetries are explained by a grammar in which the OCP is enforced absolutely, and the number of tones per syllable is restricted to two, unless the three tones each represent a different morpheme: OCP, R≫#TTT.

CUP at LINGUIST

This article appears in Phonology Vol. 29, Issue 1, which you can read on Cambridge's site or on LINGUIST .



Back
Add a new paper
Return to Academic Papers main page
Return to Directory of Linguists main page