Publishing Partner: Cambridge University Press CUP Extra Publisher Login
amazon logo
More Info


New from Oxford University Press!

ad

Raciolinguistics

Edited by H. Samy Alim, John R. Rickford, and Arnetha F. Ball

Raciolinguistics "Brings together a critical mass of scholars to form a new field dedicated to theorizing and analyzing language and race together."


New from Cambridge University Press!

ad

Sociolinguistics from the Periphery

By Sari Pietikäinen, FinlandAlexandra Jaffe, Long BeachHelen Kelly-Holmes, and Nikolas Coupland

Sociolinguistics from the Periphery "presents a fascinating book about change: shifting political, economic and cultural conditions; ephemeral, sometimes even seasonal, multilingualism; and altered imaginaries for minority and indigenous languages and their users."


Academic Paper


Title: Asymmetries in the intonation system of the tonal dialect of Maastricht Limburgish
Author: Carlos Gussenhoven
Email: click here TO access email
Homepage: http://www.ru.nl/taalwetenschap/medewerkerspagina's/carlos-gussenhoven/
Institution: Radboud Universiteit Nijmegen
Linguistic Field: Phonology
Subject Language: Limburgish
Abstract: The lexical tone and intonation contrasts in the Limburgish dialect of Maastricht are remarkable in a number of ways. While a falling pitch contour on an IP-medial syllable signals a non-declarative intonation, on an IP-final syllable it signals a declarative intonation. In addition, although there is a binary tone contrast (Accent 1 vs. Accent 2) and four nuclear intonation contours, only three intonation contours exist for nuclear syllables with Accent 2, while in IP-final position only two intonation contours exist for nuclear syllables with Accent 1, so that the full set of four intonation contours is only observable in IP-medial nuclear syllables with Accent 1. The context-dependent function of the pitch fall and the asymmetries are explained by a grammar in which the OCP is enforced absolutely, and the number of tones per syllable is restricted to two, unless the three tones each represent a different morpheme: OCP, R≫#TTT.

CUP AT LINGUIST

This article appears IN Phonology Vol. 29, Issue 1.

Return to TOC.

Add a new paper
Return to Academic Papers main page
Return to Directory of Linguists main page