LINGUIST List 15.1434

Wed May 5 2004

Diss: Discourse Analysis: Pitk�nen: 'The Spatio...'

Editor for this issue: Tomoko Okuno <tomokolinguistlist.org>

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  • kkpitkan, The Spatio-Temporal Setting in Written Narrative Fiction.

    Message 1: The Spatio-Temporal Setting in Written Narrative Fiction.

     Date: Wed, 5 May 2004 09:17:11 -0400 (EDT)
    From: kkpitkan <kkpitkanling.helsinki.fi>
    Subject: The Spatio-Temporal Setting in Written Narrative Fiction.


    Institution: University of Helsinki Program: Department of General Linguistics Dissertation Status: Completed Degree Date: 2003

    Author: Kari K. Pitk�nen

    Dissertation Title: The Spatio-Temporal Setting in Written Narrative Fiction. A Study of Interaction between Words, Text and Encyclopedic Knowledge in the Creation of Textual Meaning.

    Dissertation URL: http://ethesis.helsinki.fi/julkaisut/hum/yleis/vk/pitkanen/

    Linguistic Field: Discourse Analysis, Pragmatics, Semantics, Ling & Literature

    Subject Language: English (code: ENG)

    Dissertation Director 1: Fred Karlsson Dissertation Director 2: Orvokki Hein�m�ki Dissertation Director 3: Lauri Carlson Dissertation Director 4: Jan-Ola �stman

    Dissertation Abstract:

    This work focuses on the spatio-temporal setting, the compositional frame, which provides the preliminary key parameters of the original situation and surroundings depicted by the text. The analysis is based on 150 text beginnings of English written narrative fiction supported by a lexical analysis mainly based on 20,000 WordNet lexemes.

    A clearly separate setting is not the norm. It occurred in only 37% of the material while 45% of the settings were established gradually or integrated into the text. A separate setting is slightly more common in space-oriented settings while in character and action-oriented settings the spatio-temporal aspects of the setting are established gradually. Settings focusing on physical surroundings tend to be separate while settings focusing on socio-cultural and mental aspects of the world are often provided gradually or integrated into the story.

    Spatial and temporal information is partly transmitted by other than primarily spatial or temporal expressions. Some lexemes name spatial and temporal frames while others trigger them. Creating a setting is based on connecting proper frame triggers and co-text with what the reader supposedly knows otherwise. Thus, the same conventional frames and frame triggers tend to occur in settings.

    When the setting is based on a shared frame, less text is needed, making it possible to focus on characters and action, and to provide the surroundings gradually through either the narrator's or the protagonist's point of view. Often, textual information is enriched with encyclopedic knowledge and manipulated textually in order to evoke and modify a frame and/or textual meaning and to provide the reader with a specific point of view. The analysis of the settings and the lexicon revealed that the interface between language and the world, and the knowledge of the frames are crucial and should be taken into account both in lexical and text semantic descriptions.