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The Language of Hunter-Gatherers

Edited by Tom Güldemann, Patrick McConvell, Richard A. Rhodes

The Language of Hunter-Gatherers "With its worldwide coverage, this volume serves as a report on the state of hunter-gatherer societies at the beginning of the twenty-first century, and readers in all geographical areas will find arguments of relevance here."


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The Oxford Handbook of Negation

Edited by Viviane Déprez and M. Teresa Espinal

The Oxford Handbook of Negation "In this volume, international experts in negation provide a comprehensive overview of cross-linguistic and philosophical research in the field, as well as accounts of more recent results from experimental linguistics, psycholinguistics, and neuroscience."



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Dissertation Information


Title: The Greek Reduplicated Aorist Add Dissertation
Author: Miles Beckwith Update Dissertation
Email: click here to access email
Institution: Yale University, Department of Linguistics
Completed in: 1996
Linguistic Subfield(s): Historical Linguistics;
Subject Language(s): Greek, Ancient
Director(s): Brent Vine

Abstract: The Greek verbal system is tripartite, having three tense-aspects: present, aorist and perfect. Perfect formations in the Greek typically show initial reduplication, as does the occasional present. In addition, a small number of forms exist which can only be classed as reduplicated aorists, but these forms typically do not occur in prose and have a very limited distribution in the attested Greek texts. The following dissertation examines the use of these forms and attempts to unravel their history.

Etymological analysis shows that a small number of these forms are archaisms pre-served from Indo-European while an equally small number are innovations of the Greek era. However, the majority of the attested reduplicated aorists resist such analysis, and are more difficult to place within their individual verbal paradigms. Fortunately, a careful analysis of the metrical distribution shows that many of the remaining forms occur only in specialized metrical environments and suggests that these forms are artificial creations of poetic diction.