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Voice Quality

By John H. Esling, Scott R. Moisik, Allison Benner, Lise Crevier-Buchman

Voice Quality "The first description of voice quality production in forty years, this book provides a new framework for its study: The Laryngeal Articulator Model. Informed by instrumental examinations of the laryngeal articulatory mechanism, it revises our understanding of articulatory postures to explain the actions, vibrations and resonances generated in the epilarynx and pharynx."

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Let's Talk

By David Crystal

Let's Talk "Explores the factors that motivate so many different kinds of talk and reveals the rules we use unconsciously, even in the most routine exchanges of everyday conversation."

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Dissertation Information

Title: Conditions on (Dis)Harmony Add Dissertation
Author: Andrew Nevins Update Dissertation
Email: click here to access email
Institution: Massachusetts Institute of Technology, Department of Linguistics and Philosophy
Completed in: 2004
Linguistic Subfield(s): Phonology;
Subject Language(s): Kiembu
Gaelic, Scottish
Director(s): Donca Steriade
Morris Halle

Abstract: This thesis explores the formal principles and parameters that model the space of attested, unattested, and microvarying patterns of vowel and consonant harmony. The proposal begins with a target-centric theory, in which harmony is the result of a Search, initiated by a segment 'in need'. Chapter 1 offers comparison with autosegmental, spreading-based models, arguing that the present model provides an explanatory account of locality effects in 'non-constituent' copying in Turkish, Barra Gaelic, and Woleaian. It is proposed that harmony and dissimilation are conducted by the same mechanism - because both display intervener-based locality, and parametric bounds on the domain of search - and that they differ formally only in their structural change. Interveners, excluded from the relativized search domain, may stand between target and source, but search inviolably halts at the closest element within the domain.

Chapter 2 proposes that the visibility conditions on interveners can be predicted by properties of contrastiveness within the inventory. Nonetheless, within closely-related languages, microparametrization of value-relativization may lead to dramatic differences in surface harmony patterns. Exemplification comes from three case studies: Standard Yoruba and Ife Yoruba; Sibe and Sanjiazi Manchu; and Kyrghyz, Karaim, and Turkish.

Chapter 3 demonstrates that the typology of possible harmony systems has an additional (parametric) determinant: relative sonority. An implicational generalization is proposed: no language has a transparent unpaired vowel of high sonority at the same time it has an opaque unpaired vowel of lower sonority. Exemplification through Hungarian, Wolof, Finnish, and Written Manchu unites seemingly distinct cases of sonority-based harmony asymmetries.

Chapter 4 turns to microvariation within the (dis)harmony system of a single language, examining transparency variation in Hungarian front vowels, and distance-based variation in Hungarian neutral vowel sequences, and in the dissimilative voicing of Embu prefixes. The proposal is that variation results from structural ambiguity within analytic possibilities in the hypothesis space developed in Chapters 1-3. When a configuration encountered early in the learning sequence is compatible with multiple (dis)harmony policies (i.e. parametric settings of harmony grammars), the speaker may choose among these, resulting in variation on those later-learned forms for which the policies diverge in their output.